A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 281
... Roger Fry exercised their greatest influence . They challenged the esthetic relevance of sentimental associations and directed attention to the great importance of plastic organization . It was a movement toward purification in esthetic ...
... Roger Fry exercised their greatest influence . They challenged the esthetic relevance of sentimental associations and directed attention to the great importance of plastic organization . It was a movement toward purification in esthetic ...
Pagina 547
... Fry , Roger , The Hogarth Essays , London : Hogarth , 1924 . Last Lectures , Cambridge : Cam- bridge , 1939 . Transformations , London : Chatto & Windus , 1920 . Vision and Design , London : Chatto & Windus , 1920 . Gotshalk , D. W. ...
... Fry , Roger , The Hogarth Essays , London : Hogarth , 1924 . Last Lectures , Cambridge : Cam- bridge , 1939 . Transformations , London : Chatto & Windus , 1920 . Vision and Design , London : Chatto & Windus , 1920 . Gotshalk , D. W. ...
Pagina 548
... Roger Fry : A Biography , New York : Harcourt Brace Jovanovich , 1940 . Style Ackerman , James S. , and Carpenter , Rhys , Art and Archeology , Englewood Cliffs , N.J .: Prentice - Hall , 1963 . Albrecht , Milton C. , Barnett , James H ...
... Roger Fry : A Biography , New York : Harcourt Brace Jovanovich , 1940 . Style Ackerman , James S. , and Carpenter , Rhys , Art and Archeology , Englewood Cliffs , N.J .: Prentice - Hall , 1963 . Albrecht , Milton C. , Barnett , James H ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision