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Pagina 283
A more explicit appeal to Gestalt principles occurs in the writings of Rudolf
Arnheim (1904- ), Professor of Psychology at Sarah Lawrence College and
author of important books and articles on the psychology of art. In the Preface to
his Art and ...
A more explicit appeal to Gestalt principles occurs in the writings of Rudolf
Arnheim (1904- ), Professor of Psychology at Sarah Lawrence College and
author of important books and articles on the psychology of art. In the Preface to
his Art and ...
Pagina 285
All four writers cited so far — Langer, Sessions, Arnheim, and Merleau-Ponty —
emphasize the role of configurations in artistic expressiveness, and ... Rudolf
Arnheim, "The Priority of Expression," Journal of Aesthetics and Art Criticism, Vol.
All four writers cited so far — Langer, Sessions, Arnheim, and Merleau-Ponty —
emphasize the role of configurations in artistic expressiveness, and ... Rudolf
Arnheim, "The Priority of Expression," Journal of Aesthetics and Art Criticism, Vol.
Pagina 308
RUDOLF. ARNHEIM. The. Expressiveness. of. Visual. Forms. 1. EXPRESSION
Every work of art must express something. This means, first of all, that the content
of the work must go beyond the presentation of the individual objects of which it ...
RUDOLF. ARNHEIM. The. Expressiveness. of. Visual. Forms. 1. EXPRESSION
Every work of art must express something. This means, first of all, that the content
of the work must go beyond the presentation of the individual objects of which it ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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