A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 283
... Rudolf Arnheim ( 1904- ) , Professor of Psychology at Sarah Lawrence College and author of important books and articles on the psychology of art . In the Preface to his Art and Visual Perception , he states : " As long as I can remember ...
... Rudolf Arnheim ( 1904- ) , Professor of Psychology at Sarah Lawrence College and author of important books and articles on the psychology of art . In the Preface to his Art and Visual Perception , he states : " As long as I can remember ...
Pagina 285
... Arnheim , and Merleau - Ponty - emphasize the role of configurations in artistic expressiveness , and find a ... Rudolf Arnheim , " The Priority of Expression , " Journal of Aesthetics and Art Criticism , Vol . VIII , December 1949 , p ...
... Arnheim , and Merleau - Ponty - emphasize the role of configurations in artistic expressiveness , and find a ... Rudolf Arnheim , " The Priority of Expression , " Journal of Aesthetics and Art Criticism , Vol . VIII , December 1949 , p ...
Pagina 308
... RUDOLF ARNHEIM The Expressiveness of Visual Forms 1. EXPRESSION Every work of art must express something . This means , first of all , that the content of the work must go beyond the ... Rudolf Arnheim: The Expressiveness of Visual Forms.
... RUDOLF ARNHEIM The Expressiveness of Visual Forms 1. EXPRESSION Every work of art must express something . This means , first of all , that the content of the work must go beyond the ... Rudolf Arnheim: The Expressiveness of Visual Forms.
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision