A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 12
... Vernon Lee ( Chapter 10 ) and Theodor Lipps has gone too far . V. THE WORK OF ART The work of art conveys the sense of a living presence — it is infused with emotion , instinct with a kind of life . Its beholder reaches out and touches ...
... Vernon Lee ( Chapter 10 ) and Theodor Lipps has gone too far . V. THE WORK OF ART The work of art conveys the sense of a living presence — it is infused with emotion , instinct with a kind of life . Its beholder reaches out and touches ...
Pagina 211
An Anthology Melvin Miller Rader. 2. See the account of Empathy , by Vernon Lee , reproduced in this volume . ( Editor . ) 3. This applies even to the development of song , so far as that involves a musical system . 4. This sentence ...
An Anthology Melvin Miller Rader. 2. See the account of Empathy , by Vernon Lee , reproduced in this volume . ( Editor . ) 3. This applies even to the development of song , so far as that involves a musical system . 4. This sentence ...
Pagina 353
... Vernon Lee ( 1856-1935 ) . Lipps ' Raumaesthetik , which contained the first detailed exposition of the theory of empathy , was published in 1893-1897 , but did not become known to Lee until 1899. Her own account , published two years ...
... Vernon Lee ( 1856-1935 ) . Lipps ' Raumaesthetik , which contained the first detailed exposition of the theory of empathy , was published in 1893-1897 , but did not become known to Lee until 1899. Her own account , published two years ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision