A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 360
... WILHELM WORRINGER Abstraction and Empathy The aim of the following. 360 The Experience of the Beholder.
... WILHELM WORRINGER Abstraction and Empathy The aim of the following. 360 The Experience of the Beholder.
Pagina 361
An Anthology Melvin Miller Rader. WILHELM WORRINGER Abstraction and Empathy The aim of the following discussion is to disprove the assumption that [ the ] process of empathy has been at all times ... Wilhelm Worringer: Abstraction and ...
An Anthology Melvin Miller Rader. WILHELM WORRINGER Abstraction and Empathy The aim of the following discussion is to disprove the assumption that [ the ] process of empathy has been at all times ... Wilhelm Worringer: Abstraction and ...
Pagina 551
... Worringer , Wilhelm , Abstraction and Em- pathy , New York : International Univer- sities , 1953 . Form in Gothic , New York : Put- nam's , 1927 . Distance and Dehumanization Beardsley , Monroe C. , " Aesthetic Experi- ence Regained ...
... Worringer , Wilhelm , Abstraction and Em- pathy , New York : International Univer- sities , 1953 . Form in Gothic , New York : Put- nam's , 1927 . Distance and Dehumanization Beardsley , Monroe C. , " Aesthetic Experi- ence Regained ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision