Dall'interno del libro
Risultati 1-3 di 68
Pagina 15
In Keats' great Ode, the song of the nightingale, which symbolizes the work of art,
is no abstract universal; yet it remains the same in the most varied times and
places: Thou wast not born for death, immortal Bird! No hungry generations tread
...
In Keats' great Ode, the song of the nightingale, which symbolizes the work of art,
is no abstract universal; yet it remains the same in the most varied times and
places: Thou wast not born for death, immortal Bird! No hungry generations tread
...
Pagina 287
... where it designates something more abstract; "form" in its most abstract sense
means structure, articulation, a whole resulting from the relation of mutually
dependent factors, or more precisely, the way that whole is put together. The
abstract ...
... where it designates something more abstract; "form" in its most abstract sense
means structure, articulation, a whole resulting from the relation of mutually
dependent factors, or more precisely, the way that whole is put together. The
abstract ...
Pagina 289
The logical form itself is not another thing, but an abstract concept, or better an
abstractable concept. We usually don't abstract it deliberately, but only use it, as
we use our vocal cords in speech without first learning all about their operation
and ...
The logical form itself is not another thing, but an abstract concept, or better an
abstractable concept. We usually don't abstract it deliberately, but only use it, as
we use our vocal cords in speech without first learning all about their operation
and ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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