A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 72
Pagina 122
... action ; for their action could not change anything in the eternal nature of things ; they feel it to be ridiculous or humiliating that they should be asked to set right a world that is out of joint . Knowledge kills action ; action ...
... action ; for their action could not change anything in the eternal nature of things ; they feel it to be ridiculous or humiliating that they should be asked to set right a world that is out of joint . Knowledge kills action ; action ...
Pagina 155
... action that is dominantly practical , that is , one that consists of overt doings . It is possible to be efficient in action and yet not have a conscious experience . The activity is too automatic to permit of a sense of what it is ...
... action that is dominantly practical , that is , one that consists of overt doings . It is possible to be efficient in action and yet not have a conscious experience . The activity is too automatic to permit of a sense of what it is ...
Pagina 245
... action and the characters . And , when the question of value is raised , I must insist that the action and characters , as you conceive them , are not in Hamlet at all . If they are , point them out . You cannot do it . What you find at ...
... action and the characters . And , when the question of value is raised , I must insist that the action and characters , as you conceive them , are not in Hamlet at all . If they are , point them out . You cannot do it . What you find at ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision