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Pagina 73
Clinging to idealism, the view that reality consists of minds and their activities, he
is intent upon analyzing the stages of mental activity. Apart from sensation, which
is relatively passive, these stages may be schematized as follows: 1. Knowing ...
Clinging to idealism, the view that reality consists of minds and their activities, he
is intent upon analyzing the stages of mental activity. Apart from sensation, which
is relatively passive, these stages may be schematized as follows: 1. Knowing ...
Pagina 87
Without matter spiritual activity would not forsake its abstract- ness to become
concrete and real activity, this or that spiritual ... It is a curious fact, characteristic
of our times, that this very form, this very activity of the spirit, which is essentially ...
Without matter spiritual activity would not forsake its abstract- ness to become
concrete and real activity, this or that spiritual ... It is a curious fact, characteristic
of our times, that this very form, this very activity of the spirit, which is essentially ...
Pagina 475
ALIENATED LABOR AND FREE PRODUCTION Since alienated labour: (1)
alienates nature from man; and (2) alienates man from himself, from his own
active function, his life activity; so it alienates him from the species. It makes
species-life ...
ALIENATED LABOR AND FREE PRODUCTION Since alienated labour: (1)
alienates nature from man; and (2) alienates man from himself, from his own
active function, his life activity; so it alienates him from the species. It makes
species-life ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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