A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 46
Pagina 382
... actual lighting , can occasionally produce the impression of actual presence which is a far from pleasant , though fortunately only a passing , illusion . For decorative purposes , in pictorial renderings of vistas , garden ...
... actual lighting , can occasionally produce the impression of actual presence which is a far from pleasant , though fortunately only a passing , illusion . For decorative purposes , in pictorial renderings of vistas , garden ...
Pagina 422
... actual meaning of a text . Similarly , we also see him attributing to Montaigne the hypothesis of the malign demon - a mistake from a strictly textual point of view , but one that can be justified on philosophical grounds , since for ...
... actual meaning of a text . Similarly , we also see him attributing to Montaigne the hypothesis of the malign demon - a mistake from a strictly textual point of view , but one that can be justified on philosophical grounds , since for ...
Pagina 504
... actual use by ordinary human beings as they go about the business of living . When we lay aside preconceptions and study words in their vital employment , we discover that they have no fixed meanings and no sharp edges . An example ...
... actual use by ordinary human beings as they go about the business of living . When we lay aside preconceptions and study words in their vital employment , we discover that they have no fixed meanings and no sharp edges . An example ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision