A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 144
... affective life is revealed . Each symbol is associated with memories in our life , not by association of ideas but by affective associations . The characteristic of " dream - work " is that every dream - symbol is over- determined and ...
... affective life is revealed . Each symbol is associated with memories in our life , not by association of ideas but by affective associations . The characteristic of " dream - work " is that every dream - symbol is over- determined and ...
Pagina 147
... affective associations and inhibit the others , and so form an organized mass of emotion . The affective coloring of one word takes reflected shadow and light from the colors of the other words . It does this partly through their ...
... affective associations and inhibit the others , and so form an organized mass of emotion . The affective coloring of one word takes reflected shadow and light from the colors of the other words . It does this partly through their ...
Pagina 148
... affective coloring with which he soaks his piece of reality . It may be the old stale coloring , whereas our other poet , in spite of his conventional piece of reality , may achieve a new affective tone . Old poets we shall judge almost ...
... affective coloring with which he soaks his piece of reality . It may be the old stale coloring , whereas our other poet , in spite of his conventional piece of reality , may achieve a new affective tone . Old poets we shall judge almost ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision