Dall'interno del libro
Risultati 1-3 di 52
Pagina 222
A note must have duration just as truly as it must have pitch or timbre; and spatial
and temporal structures can appear only as qualitied. We keep "quality" as a term
for the very purpose of distinguishing such aspects of color and sound from ...
A note must have duration just as truly as it must have pitch or timbre; and spatial
and temporal structures can appear only as qualitied. We keep "quality" as a term
for the very purpose of distinguishing such aspects of color and sound from ...
Pagina 330
If we look at two plates under unequal lighting, they will appear equally white and
unequally lighted as long as the beam of light from the window figures in our
visual field. On the other hand, if we observe the same plates through a whole in
a ...
If we look at two plates under unequal lighting, they will appear equally white and
unequally lighted as long as the beam of light from the window figures in our
visual field. On the other hand, if we observe the same plates through a whole in
a ...
Pagina 475
and is rather due to the fact that the unripe social conditions under which the art
arose and under which alone it could appear could never return. — A
Contribution to the Critique of Political Economy (1859), translated by N. I. Stone (
1904) 3.
and is rather due to the fact that the unripe social conditions under which the art
arose and under which alone it could appear could never return. — A
Contribution to the Critique of Political Economy (1859), translated by N. I. Stone (
1904) 3.
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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