A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 60
Pagina 8
... APPRECIATION Science describes facts ; art expresses values . It would seem , therefore , that science has a collective and impersonal character that art lacks . Science , it may be argued , deals with the more permanent , public , and ...
... APPRECIATION Science describes facts ; art expresses values . It would seem , therefore , that science has a collective and impersonal character that art lacks . Science , it may be argued , deals with the more permanent , public , and ...
Pagina 10
... appreciation , but also the imaginative expression of appreciation by means of art . Following the practice of Royce , I have been using the term " appreciation " to stand for the inner , subjective pole of value . We must not forget ...
... appreciation , but also the imaginative expression of appreciation by means of art . Following the practice of Royce , I have been using the term " appreciation " to stand for the inner , subjective pole of value . We must not forget ...
Pagina 232
... appreciation of many great works , since many of the most moving forms ever created are in three dimensions . To see a cube or a rhomboid as a flat pattern is to lower its significance , and a sense of three - dimensional space is ...
... appreciation of many great works , since many of the most moving forms ever created are in three dimensions . To see a cube or a rhomboid as a flat pattern is to lower its significance , and a sense of three - dimensional space is ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision