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Pagina 36
The "temperament" or "personality" of the artist, his selective preferences, may be
one of the reasons for the transformation which the motif undergoes under the
artist's hands, but there must be others — everything, in fact, which we bundle ...
The "temperament" or "personality" of the artist, his selective preferences, may be
one of the reasons for the transformation which the motif undergoes under the
artist's hands, but there must be others — everything, in fact, which we bundle ...
Pagina 65
e^.f,0n &l, -ffe , < ,i » (I) On the greater or lesser individuality of the feeling
transmitted; (2) on the greater or lesser clearness with which thf fading is
transmitted: (3) on the sincerity of the artist, that is, on the greater or lesser force
with which the ...
e^.f,0n &l, -ffe , < ,i » (I) On the greater or lesser individuality of the feeling
transmitted; (2) on the greater or lesser clearness with which thf fading is
transmitted: (3) on the sincerity of the artist, that is, on the greater or lesser force
with which the ...
Pagina 95
Two such divisions are current: one according to the medium in which the artist
works, into painting, poetry, music, and the ... the emotions they express, it is not
a difference that can be present to the artist's mind when he is beginning his work
; ...
Two such divisions are current: one according to the medium in which the artist
works, into painting, poetry, music, and the ... the emotions they express, it is not
a difference that can be present to the artist's mind when he is beginning his work
; ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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