A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 92
Pagina 65
... artist . As soon as the spectator , hearer , or reader , feels that the artist is infected by his own production and writes , sings , or plays , for himself , and not merely to act on others , this mental condition of the artist infects ...
... artist . As soon as the spectator , hearer , or reader , feels that the artist is infected by his own production and writes , sings , or plays , for himself , and not merely to act on others , this mental condition of the artist infects ...
Pagina 107
... artist , he has become a work of art : in these paroxysms of intoxication the artistic power of all nature reveals itself to the highest gratification of the primordial unity . The noblest clay , the most costly marble , man , is here ...
... artist , he has become a work of art : in these paroxysms of intoxication the artistic power of all nature reveals itself to the highest gratification of the primordial unity . The noblest clay , the most costly marble , man , is here ...
Pagina 411
... artist's immediate intention ? Two types of question may be asked about intention of this kind : ( a ) What sort of work , as a whole , is the artist intending to create ? and ( b ) What does the artist intend this particular feature of ...
... artist's immediate intention ? Two types of question may be asked about intention of this kind : ( a ) What sort of work , as a whole , is the artist intending to create ? and ( b ) What does the artist intend this particular feature of ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision