Dall'interno del libro
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Pagina 216
these relations are peculiar to certain qualitative aspects of sensuous material,
we shall not expect to find them limited to the ... spatially exhibited, but that the
colors as such really do contrast, really are far apart in some aspect of color as
such.
these relations are peculiar to certain qualitative aspects of sensuous material,
we shall not expect to find them limited to the ... spatially exhibited, but that the
colors as such really do contrast, really are far apart in some aspect of color as
such.
Pagina 244
No doubt you may say, speaking loosely, that in this poet or poem the aspect of
substance is the more noticeable, and in that the aspect of form; and you may
pursue interesting discussions on this basis, though no principle or ultimate
question ...
No doubt you may say, speaking loosely, that in this poet or poem the aspect of
substance is the more noticeable, and in that the aspect of form; and you may
pursue interesting discussions on this basis, though no principle or ultimate
question ...
Pagina 272
Although there is no established system of analysis and writers will stress one or
another aspect according to their viewpoint or problem, in general the description
of a style refers to three aspects of art: form elements or motives, form ...
Although there is no established system of analysis and writers will stress one or
another aspect according to their viewpoint or problem, in general the description
of a style refers to three aspects of art: form elements or motives, form ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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