A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 7
... attitudes of appraisal . It does not reflect existence as merely neutral and colorless ; it selects , distorts , and intensifies . What Francis Bacon wrote about poetry applies to all art : " ... It doth raise and erect the Mind , by ...
... attitudes of appraisal . It does not reflect existence as merely neutral and colorless ; it selects , distorts , and intensifies . What Francis Bacon wrote about poetry applies to all art : " ... It doth raise and erect the Mind , by ...
Pagina 403
... attitude from other kinds of attitudes . For example , some aestheticians have denied that there is any distinctively aesthetic attitude at all ( J. O. Urmson , " What Makes a Situation Aesthetic ? " PAS , Suppl . Vol . 31 , 1957 ) ...
... attitude from other kinds of attitudes . For example , some aestheticians have denied that there is any distinctively aesthetic attitude at all ( J. O. Urmson , " What Makes a Situation Aesthetic ? " PAS , Suppl . Vol . 31 , 1957 ) ...
Pagina 480
... attitudes are possible . One is to take advantage of the emergent forces of the new order with a view to undermining it , to affirm it in order to drive it beyond itself : this is the active , militant , revolutionary attitude . The ...
... attitudes are possible . One is to take advantage of the emergent forces of the new order with a view to undermining it , to affirm it in order to drive it beyond itself : this is the active , militant , revolutionary attitude . The ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision