A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 434
... avant - garde on one side and academic , con- servative , or official on the other . All along there had been the few artists who innovated and the many who didn't . And all along the highest qualities of art had depended in crucial ...
... avant - garde on one side and academic , con- servative , or official on the other . All along there had been the few artists who innovated and the many who didn't . And all along the highest qualities of art had depended in crucial ...
Pagina 436
... avant - garde , not avant - gardist , in aspiration , whether they knew it or not . They wanted their works to function as art in the " traditional " sense that avant - gardism often professed to repudiate . This may sound surprising to ...
... avant - garde , not avant - gardist , in aspiration , whether they knew it or not . They wanted their works to function as art in the " traditional " sense that avant - gardism often professed to repudiate . This may sound surprising to ...
Pagina 553
... Avant - Garde Berleant , Arnold , " Aesthetics and the Con- temporary Arts , " JAAC 29 ( 1970 ) . Ames , Van Meter , " Is It Art ?, " JAAC 30 ( 1971 ) . " The New in Art , " in Konstantin Kolenda ( ed . ) , Insight and Vision , San ...
... Avant - Garde Berleant , Arnold , " Aesthetics and the Con- temporary Arts , " JAAC 29 ( 1970 ) . Ames , Van Meter , " Is It Art ?, " JAAC 30 ( 1971 ) . " The New in Art , " in Konstantin Kolenda ( ed . ) , Insight and Vision , San ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision