A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 173
... beauty - the third of the classical trilogy of the Good , the True , and the Beautiful . Art , it is said , is the incarnation of beauty in human artifacts . There was no more eloquent representative of this doctrine than George ...
... beauty - the third of the classical trilogy of the Good , the True , and the Beautiful . Art , it is said , is the incarnation of beauty in human artifacts . There was no more eloquent representative of this doctrine than George ...
Pagina 175
An Anthology Melvin Miller Rader. GEORGE SANTAYANA The Nature of Beauty I. BEAUTY DEFINED The Philosophy of Beauty Is a Theory of Values It would be easy to find a definition of beauty that should give in a few words a telling paraphrase ...
An Anthology Melvin Miller Rader. GEORGE SANTAYANA The Nature of Beauty I. BEAUTY DEFINED The Philosophy of Beauty Is a Theory of Values It would be easy to find a definition of beauty that should give in a few words a telling paraphrase ...
Pagina 544
... Beauty , New York : Scribner's , 1896 . Singer , Irving , Santayana's Aesthetics : A Critical Introduction , Cambridge , Mass .: Harvard University Press , 1957 . The Concept of Beauty Aldrich , Virgil C. , " Beauty as Feeling ...
... Beauty , New York : Scribner's , 1896 . Singer , Irving , Santayana's Aesthetics : A Critical Introduction , Cambridge , Mass .: Harvard University Press , 1957 . The Concept of Beauty Aldrich , Virgil C. , " Beauty as Feeling ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision