Dall'interno del libro
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Pagina 221
We have used mathematical and geometrical abstractions so much that the
elements among which these abstract relations subsist have literally vanished, as
points have become by definition the vanishing points of lines, and lines the ...
We have used mathematical and geometrical abstractions so much that the
elements among which these abstract relations subsist have literally vanished, as
points have become by definition the vanishing points of lines, and lines the ...
Pagina 466
It will not become universal as long as man is still uncultivated enough to be in a
position to misuse it; and should it become universal, this could only be brought
about by the kind of culture which would automatically make any misuse of it ...
It will not become universal as long as man is still uncultivated enough to be in a
position to misuse it; and should it become universal, this could only be brought
about by the kind of culture which would automatically make any misuse of it ...
Pagina 477
and nature has lost its mere utility by the fact that its utilization has become
human utilization. Similarly, the senses and minds of other men have become my
own appropriation. Thus besides these direct organs, social organs are
constituted, ...
and nature has lost its mere utility by the fact that its utilization has become
human utilization. Similarly, the senses and minds of other men have become my
own appropriation. Thus besides these direct organs, social organs are
constituted, ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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