A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 90
Pagina 216
... called dimensions on the analogy to spatial dimensions . As a geometrical structure may vary in length while it remains the same in breadth , so sound can vary in pitch while it remains the same in loud- ness , or vice versa . It is ...
... called dimensions on the analogy to spatial dimensions . As a geometrical structure may vary in length while it remains the same in breadth , so sound can vary in pitch while it remains the same in loud- ness , or vice versa . It is ...
Pagina 293
... called the “ life of feeling , " requires a different symbolic form . This form , I think , is characteristic of art and is , indeed , the essence and measure of art . If this be so , then a work of art is a symbolic form in another way ...
... called the “ life of feeling , " requires a different symbolic form . This form , I think , is characteristic of art and is , indeed , the essence and measure of art . If this be so , then a work of art is a symbolic form in another way ...
Pagina 508
... called an area at all . This presumably means that we cannot do anything with it . - But is it senseless to say , " Stand roughly there ? " Suppose that I were standing with someone in a city square and said that . As I say it I do not ...
... called an area at all . This presumably means that we cannot do anything with it . - But is it senseless to say , " Stand roughly there ? " Suppose that I were standing with someone in a city square and said that . As I say it I do not ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision