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Pagina 216
But the situation is complicated by the fact that these serial orders are not of the
concrete sounds, not of hearable notes nor of concrete visible colors as such, but
of aspects of these which are conveniently called dimensions on the analogy to ...
But the situation is complicated by the fact that these serial orders are not of the
concrete sounds, not of hearable notes nor of concrete visible colors as such, but
of aspects of these which are conveniently called dimensions on the analogy to ...
Pagina 293
An Anthology Melvin Miller Rader. lessor Henry M. Sheffer of Harvard), or what is
usually called the "life of feeling," requires a different symbolic form. This form, I
think, is characteristic of art and is, indeed, the essence and measure of art.
An Anthology Melvin Miller Rader. lessor Henry M. Sheffer of Harvard), or what is
usually called the "life of feeling," requires a different symbolic form. This form, I
think, is characteristic of art and is, indeed, the essence and measure of art.
Pagina 356
The object of an "entirely disinterested . . . satisfaction," declared Kant, "is called
beautiful." Such detachment from practical interests is emphasized by Edward
Bullough (1880-1934), a distinguished British psychologist, in his concept of ...
The object of an "entirely disinterested . . . satisfaction," declared Kant, "is called
beautiful." Such detachment from practical interests is emphasized by Edward
Bullough (1880-1934), a distinguished British psychologist, in his concept of ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 4, illustrata |
| Editore | Holt, Rinehart and Winston, 1973 |
| ISBN | 0030017564, 9780030017568 |
| Lunghezza | 568 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |