A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 52
... cause of happiness , joy , pleasure , and of all the feelings connected with them ; the contrary is marked by grief ... caused as much by the good or evil fortunes of others as by his own ; as , besides , he possesses in a very high ...
... cause of happiness , joy , pleasure , and of all the feelings connected with them ; the contrary is marked by grief ... caused as much by the good or evil fortunes of others as by his own ; as , besides , he possesses in a very high ...
Pagina 71
... cause experience of bitter taste ; whereas bitter , as predicated of a taste , is the name not of a capacity or power of that taste , but of that taste quality itself . 7. Aesthetic contemplation . A listener who is attending to the ...
... cause experience of bitter taste ; whereas bitter , as predicated of a taste , is the name not of a capacity or power of that taste , but of that taste quality itself . 7. Aesthetic contemplation . A listener who is attending to the ...
Pagina 77
... cause us rage and envy , because it is the work of our enemy or rival , for whom it will procure advantage and on ... causes pleasure . The life of this doctrine has consisted of proposing in turn one or another class of pleasures , or ...
... cause us rage and envy , because it is the work of our enemy or rival , for whom it will procure advantage and on ... causes pleasure . The life of this doctrine has consisted of proposing in turn one or another class of pleasures , or ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision