A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 256
... character of rhythm ; the rhythm of time and accent is united with the melodic development of the musical theme , but does not constitute it . The essential character of evolution is , as Bergson has shown , growth or accumulation of ...
... character of rhythm ; the rhythm of time and accent is united with the melodic development of the musical theme , but does not constitute it . The essential character of evolution is , as Bergson has shown , growth or accumulation of ...
Pagina 334
... character form an indivisi- ble unit . And the union of sound and image occurs not only in each character but in the film as a whole . It is not by accident that characters are silent at one moment and speak at another . The alternation ...
... character form an indivisi- ble unit . And the union of sound and image occurs not only in each character but in the film as a whole . It is not by accident that characters are silent at one moment and speak at another . The alternation ...
Pagina 372
... character . Its peculiarity lies in that the personal character of the relation has been , so to speak , filtered . It has been cleared of the practical , concrete nature of its appeal , without , however , thereby losing its original ...
... character . Its peculiarity lies in that the personal character of the relation has been , so to speak , filtered . It has been cleared of the practical , concrete nature of its appeal , without , however , thereby losing its original ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision