A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 219
... characteristic , variations in hue are no more significant for color composition , no more characteristic of color design , than variations of saturation or of brightness . The order of the hues is cyclical , too , while the orders of ...
... characteristic , variations in hue are no more significant for color composition , no more characteristic of color design , than variations of saturation or of brightness . The order of the hues is cyclical , too , while the orders of ...
Pagina 525
... characteristic of the Poussin painting to its fourth characteristic : the fact that it is a good painting is , he holds , related to the characteristics which we find that it possesses when we contemplate , observe , and study it . Its ...
... characteristic of the Poussin painting to its fourth characteristic : the fact that it is a good painting is , he holds , related to the characteristics which we find that it possesses when we contemplate , observe , and study it . Its ...
Pagina 526
... his conclusion was negative , and he therefore held that " no one of the characteristics listed is necessarily a characteristic of a work of art . " 19 However , as we have seen , Professor Ziff's description 526 Esthetic Theory.
... his conclusion was negative , and he therefore held that " no one of the characteristics listed is necessarily a characteristic of a work of art . " 19 However , as we have seen , Professor Ziff's description 526 Esthetic Theory.
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision