Dall'interno del libro
Risultati 1-3 di 64
Pagina 219
The points beneath the surface, inside the cone, would represent all the rest of
the possibilities of color variation. In general, the downward direction is from light
to dark, the direction inward to the axis is from saturation to neutral, and the ...
The points beneath the surface, inside the cone, would represent all the rest of
the possibilities of color variation. In general, the downward direction is from light
to dark, the direction inward to the axis is from saturation to neutral, and the ...
Pagina 220
But pictures are not so regularly or so readily apprehended as being color
patterns. In fact, in much of what we think of under the term painting, it is spatial
design not color design that is the characteristic distinction. The parallel with
music is ...
But pictures are not so regularly or so readily apprehended as being color
patterns. In fact, in much of what we think of under the term painting, it is spatial
design not color design that is the characteristic distinction. The parallel with
music is ...
Pagina 330
How could we define the exact color of an object without mentioning the
substance of which it is made, without saying, of this blue rug, for example, that it
is a "woolly blue"? Cezanne asked how one is to distinguish the color of things
from their ...
How could we define the exact color of an object without mentioning the
substance of which it is made, without saying, of this blue rug, for example, that it
is a "woolly blue"? Cezanne asked how one is to distinguish the color of things
from their ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 4, illustrata |
| Editore | Holt, Rinehart and Winston, 1973 |
| ISBN | 0030017564, 9780030017568 |
| Lunghezza | 568 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |