A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 219
... color variation is to be found somewhere in the scheme , and that therefore every color variation lies at a deter- minately felt distance from others along any single dimension chosen . But it will be clear at once that the selection of ...
... color variation is to be found somewhere in the scheme , and that therefore every color variation lies at a deter- minately felt distance from others along any single dimension chosen . But it will be clear at once that the selection of ...
Pagina 220
... color patterns . In fact , in much of what we think of under the term painting , it is spatial design not color design that is the characteristic distinction . The parallel with music is still clear , though obviously not at all ...
... color patterns . In fact , in much of what we think of under the term painting , it is spatial design not color design that is the characteristic distinction . The parallel with music is still clear , though obviously not at all ...
Pagina 330
... color from it , but from the fact that the light which dominates the environment acts as lighting and immediately assigns the object its true color . If we look at two plates under unequal lighting , they will appear equally white and ...
... color from it , but from the fact that the light which dominates the environment acts as lighting and immediately assigns the object its true color . If we look at two plates under unequal lighting , they will appear equally white and ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision