Dall'interno del libro
Risultati 1-3 di 91
Pagina 219
The points beneath the surface, inside the cone, would represent all the rest of
the possibilities of color variation. In general, the downward direction is from light
to dark, the direction inward to the axis is from saturation to neutral, and the ...
The points beneath the surface, inside the cone, would represent all the rest of
the possibilities of color variation. In general, the downward direction is from light
to dark, the direction inward to the axis is from saturation to neutral, and the ...
Pagina 220
But pictures are not so regularly or so readily apprehended as being color
patterns. In fact, in much of what we think of under the term painting, it is spatial
design not color design that is the characteristic distinction. The parallel with
music is ...
But pictures are not so regularly or so readily apprehended as being color
patterns. In fact, in much of what we think of under the term painting, it is spatial
design not color design that is the characteristic distinction. The parallel with
music is ...
Pagina 330
How could we define the exact color of an object without mentioning the
substance of which it is made, without saying, of this blue rug, for example, that it
is a "woolly blue"? Cezanne asked how one is to distinguish the color of things
from their ...
How could we define the exact color of an object without mentioning the
substance of which it is made, without saying, of this blue rug, for example, that it
is a "woolly blue"? Cezanne asked how one is to distinguish the color of things
from their ...
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Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract action activity appear appreciation artist associations beauty become called character characteristic color common complete concept consciousness created criticism defined definition desire direct Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling function give Greek hand human ideas imagination important individual interest intuition kind knowledge language less lines live look material matter means merely mind moral movement nature never object observe organization original painting particular perceived perception person philosophical physical picture play pleasure poem poet poetry possible practical present principle problem produce pure question reality reason reference relation seems sense shape significance similar simply social sound speak structure style symbol theory things thought tion true truth understand unity whole wish
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