A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 503
... common with B ; B a quality in common with C ; C a quality in common with D ; D a quality in common with E ; while at the same time no quality can be found which belongs in common to any three objects in the series . " Nevertheless , as ...
... common with B ; B a quality in common with C ; C a quality in common with D ; D a quality in common with E ; while at the same time no quality can be found which belongs in common to any three objects in the series . " Nevertheless , as ...
Pagina 506
... common to all that we call language , I am saying that these phenomena have no one thing in common which makes us use the same word for all , —but that they are related to one another in many different ways . And it is because of this ...
... common to all that we call language , I am saying that these phenomena have no one thing in common which makes us use the same word for all , —but that they are related to one another in many different ways . And it is because of this ...
Pagina 514
... common to them all ? -Don't say : ' there must be something common , or they would not be called " games " ' but look and see whether there is anything common to all . — For if you look at them you will not see something that is common ...
... common to them all ? -Don't say : ' there must be something common , or they would not be called " games " ' but look and see whether there is anything common to all . — For if you look at them you will not see something that is common ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision