A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 69
Pagina 209
... complete without minds , but minds , again , are not complete without things ; not any more , we might say , than minds are complete without bodies . Our resources in the way of sensation , and our experiences in the way of satisfactory ...
... complete without minds , but minds , again , are not complete without things ; not any more , we might say , than minds are complete without bodies . Our resources in the way of sensation , and our experiences in the way of satisfactory ...
Pagina 476
... complete judgment of a work of art , many men are needed in order to draw out its total capacity of realization . A complete esthetic work of art thus becomes an ideal , realiz- able in the lesser works but perhaps rarely fully realized ...
... complete judgment of a work of art , many men are needed in order to draw out its total capacity of realization . A complete esthetic work of art thus becomes an ideal , realiz- able in the lesser works but perhaps rarely fully realized ...
Pagina 461
... complete judgment of a work of art , many men are needed in order to draw out its total capacity of realization . A complete esthetic work of art thus becomes an ideal , realiz- able in the lesser works but perhaps rarely fully realized ...
... complete judgment of a work of art , many men are needed in order to draw out its total capacity of realization . A complete esthetic work of art thus becomes an ideal , realiz- able in the lesser works but perhaps rarely fully realized ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision