A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 507
... concept of number is defined for you as the logical sum of these individual interrelated concepts : cardinal numbers , rational numbers , real numbers , etc .; and in the same way the ... concept a concept Ludwig Wittgenstein 507.
... concept of number is defined for you as the logical sum of these individual interrelated concepts : cardinal numbers , rational numbers , real numbers , etc .; and in the same way the ... concept a concept Ludwig Wittgenstein 507.
Pagina 515
... concept applied to A to B and C. Because work N + 1 ( the brand new work ) is like A , B , C . . . N in certain respects - has strands of similarity to them - the concept is extended and a new phase of the novel engendered . " Is N + 1 ...
... concept applied to A to B and C. Because work N + 1 ( the brand new work ) is like A , B , C . . . N in certain respects - has strands of similarity to them - the concept is extended and a new phase of the novel engendered . " Is N + 1 ...
Pagina 516
... concept into an honorific formula for a closed concept . What is supremely important , if the critic is not to become muddled , is to get absolutely clear about the way in which he conceives his concepts ; otherwise he goes from the ...
... concept into an honorific formula for a closed concept . What is supremely important , if the critic is not to become muddled , is to get absolutely clear about the way in which he conceives his concepts ; otherwise he goes from the ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision