A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 57
... conception . It is by no means indiffer- ent to the pleasures of sight and hearing , but it sees something beyond them . Its worth must not be measured only by perfection of form , but also and chiefly , by the double power of ...
... conception . It is by no means indiffer- ent to the pleasures of sight and hearing , but it sees something beyond them . Its worth must not be measured only by perfection of form , but also and chiefly , by the double power of ...
Pagina 135
... conception , a conception for which Goethe was first responsi- ble , Hamlet represents the type of man whose active energy is paralyzed by excessive intellectual activity : " Sicklied o'er with the pale cast of thought . " According to ...
... conception , a conception for which Goethe was first responsi- ble , Hamlet represents the type of man whose active energy is paralyzed by excessive intellectual activity : " Sicklied o'er with the pale cast of thought . " According to ...
Pagina 295
... conception itself . Conception - giving form and connection , clarity and pro- portion to our impressions , memories , and objects of judgment - is the beginning of all rationality . Conception itself contains the elementary principles ...
... conception itself . Conception - giving form and connection , clarity and pro- portion to our impressions , memories , and objects of judgment - is the beginning of all rationality . Conception itself contains the elementary principles ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision