A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 179
... concerned with the attainment of pleasure ; it is rather concerned , in all its deeper and more authoritative maxims , with the prevention of suffer- ing . There is something artificial in the deliberate pursuit of pleasure ; there is ...
... concerned with the attainment of pleasure ; it is rather concerned , in all its deeper and more authoritative maxims , with the prevention of suffer- ing . There is something artificial in the deliberate pursuit of pleasure ; there is ...
Pagina 501
... concerned with this realm - the natural scientists . More precisely , when our preoccupation is with the interaction of organisms and environment - and I can think of no better description for our concern - then we must turn to ...
... concerned with this realm - the natural scientists . More precisely , when our preoccupation is with the interaction of organisms and environment - and I can think of no better description for our concern - then we must turn to ...
Pagina 524
... concern in traditional aesthetics . This fact may be illustrated through examining a portion of one of the articles ... concerned with a painting like this . For example , when we look at this painting by Poussin , we may attend to its ...
... concern in traditional aesthetics . This fact may be illustrated through examining a portion of one of the articles ... concerned with a painting like this . For example , when we look at this painting by Poussin , we may attend to its ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision