A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 13
... concrete terms , and hence must be concretely appreciated . The qualities of the object must be apprehended as , for example , gay , sad , horrible , sublime , or demonic ; they must be liked or disliked because of some such concrete ...
... concrete terms , and hence must be concretely appreciated . The qualities of the object must be apprehended as , for example , gay , sad , horrible , sublime , or demonic ; they must be liked or disliked because of some such concrete ...
Pagina 169
... concrete fact with a high light thrown on what is relevant to its preciousness . What I mean is art ( and esthetic education ) . It is , however , art in such a general sense of the term that I hardly like to call it by that name . Art ...
... concrete fact with a high light thrown on what is relevant to its preciousness . What I mean is art ( and esthetic education ) . It is , however , art in such a general sense of the term that I hardly like to call it by that name . Art ...
Pagina 221
... concrete presentation . Thus our scheme of esthetic analysis may be accused indifferently of formalizing esthetics , or of reducing all the formal aspects of art and nature to sensuous content . The point is that any content concretely ...
... concrete presentation . Thus our scheme of esthetic analysis may be accused indifferently of formalizing esthetics , or of reducing all the formal aspects of art and nature to sensuous content . The point is that any content concretely ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision