A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 65
Pagina 160
... connection be- tween what he has already done and what he is to do next , the idea that the artist does not think as intently and penetratingly as a scientific in- quirer is absurd . A painter must consciously undergo the effect of his ...
... connection be- tween what he has already done and what he is to do next , the idea that the artist does not think as intently and penetratingly as a scientific in- quirer is absurd . A painter must consciously undergo the effect of his ...
Pagina 163
... connection , subsequent doing is cumulative and not a matter of caprice nor yet of routine . In an emphatic artistic - esthetic experience , the relation is so close that it controls simultaneously both the doing and the perception ...
... connection , subsequent doing is cumulative and not a matter of caprice nor yet of routine . In an emphatic artistic - esthetic experience , the relation is so close that it controls simultaneously both the doing and the perception ...
Pagina 445
... connection of some sort between them . And , being a logical connection , it must relate general concepts in an abstract way . Thus , for example , if a certain degree of sharpness is a merit in knives ( we can think of a particular ...
... connection of some sort between them . And , being a logical connection , it must relate general concepts in an abstract way . Thus , for example , if a certain degree of sharpness is a merit in knives ( we can think of a particular ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision