A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 139
... conscious subject . This consciousness is contradicted by my experience — that is , I have a new per- sonal experience , something not given in the social world of poetry . Therefore I desire what is called self - expression but is ...
... conscious subject . This consciousness is contradicted by my experience — that is , I have a new per- sonal experience , something not given in the social world of poetry . Therefore I desire what is called self - expression but is ...
Pagina 420
... consciousness " ceases to be a static entity which stands above and outside particular individuals . The collective consciousness exists only in and through individual consciousnesses , but it is not simply made up of the sum of these ...
... consciousness " ceases to be a static entity which stands above and outside particular individuals . The collective consciousness exists only in and through individual consciousnesses , but it is not simply made up of the sum of these ...
Pagina 462
... conscious of this conflict and fight it out . Just as our opinion of an individual is not based on what he thinks of himself , so can we not judge of such a period of transformation by its own consciousness ; on the contrary this ...
... conscious of this conflict and fight it out . Just as our opinion of an individual is not based on what he thinks of himself , so can we not judge of such a period of transformation by its own consciousness ; on the contrary this ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision