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Pagina 71
Aesthetic contemplation. A listener who is attending to the music with interest in
its emotional import is engaged in aesthetic contemplation of the music. He is
doing what the present writer has elsewhere proposed to call ecpathizing the
music ...
Aesthetic contemplation. A listener who is attending to the music with interest in
its emotional import is engaged in aesthetic contemplation of the music. He is
doing what the present writer has elsewhere proposed to call ecpathizing the
music ...
Pagina 367
"Thus in empathy I am not the real I, but am inwardly released from this ego; that
is, I am released from all that I am apart from the contemplation of form. I am only
this ideal I, this contemplating I." (Lipps, Aesthetik, p. 247.) Common parlance ...
"Thus in empathy I am not the real I, but am inwardly released from this ego; that
is, I am released from all that I am apart from the contemplation of form. I am only
this ideal I, this contemplating I." (Lipps, Aesthetik, p. 247.) Common parlance ...
Pagina 368
Riegl, Spatromische Kunstindustrie , Chap. I. 6. Schopenhauer's esthetics offers
an analogy to such a conception. For Schopenhauer the happiness of esthetic
contemplation consists in just this, that in it man is released from his individuality,
...
Riegl, Spatromische Kunstindustrie , Chap. I. 6. Schopenhauer's esthetics offers
an analogy to such a conception. For Schopenhauer the happiness of esthetic
contemplation consists in just this, that in it man is released from his individuality,
...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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