A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 16
... contemplative and a critical aspect in the audience's reaction . Esthetic contemplation , which is described in the present volume in such terms as " psychical distance , " " empathy , " and " abstraction , " can be more simply ...
... contemplative and a critical aspect in the audience's reaction . Esthetic contemplation , which is described in the present volume in such terms as " psychical distance , " " empathy , " and " abstraction , " can be more simply ...
Pagina 71
... contemplation . A listener who is attending to the music with interest in its emotional import is engaged in aesthetic contemplation of the music . He is doing what the present writer has elsewhere proposed to call ecpathizing the music ...
... contemplation . A listener who is attending to the music with interest in its emotional import is engaged in aesthetic contemplation of the music . He is doing what the present writer has elsewhere proposed to call ecpathizing the music ...
Pagina 111
... contemplation acting as a command or a re- proach . This is the sphere of beauty , in which they saw their mirror ... contemplation ; on the other hand , to be at all able to dream with this inner joy in contemplation , he must ...
... contemplation acting as a command or a re- proach . This is the sphere of beauty , in which they saw their mirror ... contemplation ; on the other hand , to be at all able to dream with this inner joy in contemplation , he must ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision