A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 406
... contextualist , Bosanquet as an organicist , and Aristotle as a formist . The mechanist asks of the work that it give pleasure ; the contextualist , that it exhibit vividness of quality ; the organicist , that it be a rich and well ...
... contextualist , Bosanquet as an organicist , and Aristotle as a formist . The mechanist asks of the work that it give pleasure ; the contextualist , that it exhibit vividness of quality ; the organicist , that it be a rich and well ...
Pagina 476
... contextualist himself does not seem to be able to make the most of it . He is so impressed with evidences of historical change and cul- tural influences and the shifting contexts of value that he cannot easily bring himself to accept ...
... contextualist himself does not seem to be able to make the most of it . He is so impressed with evidences of historical change and cul- tural influences and the shifting contexts of value that he cannot easily bring himself to accept ...
Pagina 461
... contextualist himself does not seem to be able to make the most of it . He is so impressed with evidences of historical change and cul- tural influences and the shifting contexts of value that he cannot easily bring himself to accept ...
... contextualist himself does not seem to be able to make the most of it . He is so impressed with evidences of historical change and cul- tural influences and the shifting contexts of value that he cannot easily bring himself to accept ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision