A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 206
... course in quite different manipulations from those of the wrought - iron . I suppose its facility of surface , how it lends itself to modeling or to throwing on the wheel , must be its great charm . Now the decorative patterns which are ...
... course in quite different manipulations from those of the wrought - iron . I suppose its facility of surface , how it lends itself to modeling or to throwing on the wheel , must be its great charm . Now the decorative patterns which are ...
Pagina 292
... course , mentality has arisen from more primitive vital processes . Somehow they belong into one and the same scientific frame . I am scouting the possibility that rationality arises as an elaboration of feeling . Such a hypothesis ...
... course , mentality has arisen from more primitive vital processes . Somehow they belong into one and the same scientific frame . I am scouting the possibility that rationality arises as an elaboration of feeling . Such a hypothesis ...
Pagina 372
... course , to be granted that the actual and admitted unreality of the dramatic action reinforces the effect of Distance . But surely the proverbial unsophisticated yokel whose chivalrous interference in the play on behalf of the hapless ...
... course , to be granted that the actual and admitted unreality of the dramatic action reinforces the effect of Distance . But surely the proverbial unsophisticated yokel whose chivalrous interference in the play on behalf of the hapless ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision