A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 71
... created fragment is then in its turn contemplated , judged , and either approved or altered until found satisfactory ... creation - contemplation - judgment and correc- tion or approval - is repeated again and again until the musical ...
... created fragment is then in its turn contemplated , judged , and either approved or altered until found satisfactory ... creation - contemplation - judgment and correc- tion or approval - is repeated again and again until the musical ...
Pagina 286
... created is not the same in any two distinct arts —this is , in fact , what makes them distinct - but the principle of creation is the same . And " living form " means the same in all of them . A work of art is an expressive form created ...
... created is not the same in any two distinct arts —this is , in fact , what makes them distinct - but the principle of creation is the same . And " living form " means the same in all of them . A work of art is an expressive form created ...
Pagina 294
... created space . These volumes define and organize the pictorial space which they are , in fact , creating ; the purely visual space seems to be alive with their balanced or strained interactions . The lines that divide them ( which may ...
... created space . These volumes define and organize the pictorial space which they are , in fact , creating ; the purely visual space seems to be alive with their balanced or strained interactions . The lines that divide them ( which may ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision