Dall'interno del libro
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Pagina 259
When paleolithic man first drew the image of the bison or reindeer in his cave, he
was creating a rudimentary work of art, ... Thus to a man a woman is given, not
created, beautiful — the visible expression of his amorous dream for play, ...
When paleolithic man first drew the image of the bison or reindeer in his cave, he
was creating a rudimentary work of art, ... Thus to a man a woman is given, not
created, beautiful — the visible expression of his amorous dream for play, ...
Pagina 286
What is created is not the same in any two distinct arts — this is, in fact, what
makes them distinct — but ... A work of art is an expressive form created for our
perception through sense or imagination, and what it expresses is human feeling.
What is created is not the same in any two distinct arts — this is, in fact, what
makes them distinct — but ... A work of art is an expressive form created for our
perception through sense or imagination, and what it expresses is human feeling.
Pagina 294
It is the visible form, the apparition created out of paint deployed on a ground.
The paint and the ground themselves disappear. One does not see a picture as a
piece of spotted canvas, any more than one sees a screen with shadows on it in
a ...
It is the visible form, the apparition created out of paint deployed on a ground.
The paint and the ground themselves disappear. One does not see a picture as a
piece of spotted canvas, any more than one sees a screen with shadows on it in
a ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 4, illustrata |
| Editore | Holt, Rinehart and Winston, 1973 |
| ISBN | 0030017564, 9780030017568 |
| Lunghezza | 568 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |