A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 10
... CREATIVE PROCESS In the light of the foregoing definition of art , we can characterize art in terms of three standpoints : the creative activity of the artist , the work of art , and the reception of art by the public . Each of these is ...
... CREATIVE PROCESS In the light of the foregoing definition of art , we can characterize art in terms of three standpoints : the creative activity of the artist , the work of art , and the reception of art by the public . Each of these is ...
Pagina 480
... creative act , the active dialogue between spirit and matter ; the work of art holds man's creative powers in a crystalline suspension from which it can again be transformed into living energies . Consequently , art by its very nature ...
... creative act , the active dialogue between spirit and matter ; the work of art holds man's creative powers in a crystalline suspension from which it can again be transformed into living energies . Consequently , art by its very nature ...
Pagina 538
... Creative Imagination , Lon- don : Routledge , 1929 . Ecker , David , " The Artistic Process as Qualitative Problem Solving , " JAAC 21 ( 1963 ) . Ghiselin , Brewster ( ed . ) , The Creative Process , Berkeley : University of Cali ...
... Creative Imagination , Lon- don : Routledge , 1929 . Ecker , David , " The Artistic Process as Qualitative Problem Solving , " JAAC 21 ( 1963 ) . Ghiselin , Brewster ( ed . ) , The Creative Process , Berkeley : University of Cali ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision