A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 77
Pagina 444
... critic were to propose the following : This poem is poor , because it is deficient in hyphens . We may choose to say that this is not a reason at all , because it is so wildly irrelevant ... critic does when 444 The Response of the Critic.
... critic were to propose the following : This poem is poor , because it is deficient in hyphens . We may choose to say that this is not a reason at all , because it is so wildly irrelevant ... critic does when 444 The Response of the Critic.
Pagina 445
... critic's appeal to reasons is , of course , large and complex . I propose to deal with only one of its parts - but one that has received some attention in the past few years . To pass over a number of preliminary matters , let me first ...
... critic's appeal to reasons is , of course , large and complex . I propose to deal with only one of its parts - but one that has received some attention in the past few years . To pass over a number of preliminary matters , let me first ...
Pagina 462
... critic's appeal to reasons is , of course , large and complex . I propose to deal with only one of its parts - but one that has received some attention in the past few years . To pass over a number of preliminary matters , let me first ...
... critic's appeal to reasons is , of course , large and complex . I propose to deal with only one of its parts - but one that has received some attention in the past few years . To pass over a number of preliminary matters , let me first ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision