A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 175
... criticism . A sunset is not criticized ; it is felt and enjoyed . The word " criticism , " used on such an occasion , would emphasize too much the element of deliberate judgment and of compari- son with standards . Beauty , although ...
... criticism . A sunset is not criticized ; it is felt and enjoyed . The word " criticism , " used on such an occasion , would emphasize too much the element of deliberate judgment and of compari- son with standards . Beauty , although ...
Pagina 554
... Criticism , De- troit , Mich . Wayne State University Press , 1970 . Blackmur , R. P. , and others , Lectures in Criticism , New York : Pantheon , 1949 . Boas , George , The Heaven of Invention , Baltimore : Johns Hopkins Press , 1963 ...
... Criticism , De- troit , Mich . Wayne State University Press , 1970 . Blackmur , R. P. , and others , Lectures in Criticism , New York : Pantheon , 1949 . Boas , George , The Heaven of Invention , Baltimore : Johns Hopkins Press , 1963 ...
Pagina 555
... Criticism , " JAAC 8 ( 1948 ) . Krieger , Murray , The Play and Place of Criticism , Baltimore : Johns Hopkins Press , 1967 . Levich , Marvin ( ed . ) , Aesthetics and the Philosophy of Criticism , New York : Ran- dom House , 1963 ...
... Criticism , " JAAC 8 ( 1948 ) . Krieger , Murray , The Play and Place of Criticism , Baltimore : Johns Hopkins Press , 1967 . Levich , Marvin ( ed . ) , Aesthetics and the Philosophy of Criticism , New York : Ran- dom House , 1963 ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision