A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 509
... defined one . Of course -several such sharply defined rectangles can be drawn to correspond to the indefinite one . But if the colors in the original merge without a hint of any outline won't it become a hopeless task to draw a sharp ...
... defined one . Of course -several such sharply defined rectangles can be drawn to correspond to the indefinite one . But if the colors in the original merge without a hint of any outline won't it become a hopeless task to draw a sharp ...
Pagina 516
... definition of this closed concept ; although it can also be , as it unfortunately has been , con- ceived as a purported real definition of " tragedy , " in which case it suffers from the logical mistake of trying to define what cannot be ...
... definition of this closed concept ; although it can also be , as it unfortunately has been , con- ceived as a purported real definition of " tragedy , " in which case it suffers from the logical mistake of trying to define what cannot be ...
Pagina 528
... defined concept will necessarily involve us in changing the definition of that con- cept . To be sure , if neither photography nor the movies had developed along lines which satisfied the same sorts of interest that the other arts ...
... defined concept will necessarily involve us in changing the definition of that con- cept . To be sure , if neither photography nor the movies had developed along lines which satisfied the same sorts of interest that the other arts ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision