A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 5
... definition . Rather than the advice of Wittgenstein , " Beware of definition , " I prefer the guiding principle , " Seek definition but distrust it . " This recognizes the virtue of defining while adding the necessary note of caution ...
... definition . Rather than the advice of Wittgenstein , " Beware of definition , " I prefer the guiding principle , " Seek definition but distrust it . " This recognizes the virtue of defining while adding the necessary note of caution ...
Pagina 61
... definitions to the metaphysical definitions which depended on the conception of beauty , they are yet far from exact . The first , the physiological - evolutionary definition ( 1 ) , a , is inexact , because instead of speaking about ...
... definitions to the metaphysical definitions which depended on the conception of beauty , they are yet far from exact . The first , the physiological - evolutionary definition ( 1 ) , a , is inexact , because instead of speaking about ...
Pagina 528
... definition of this mode of painting , and there is no reason why such a definition could not have been formulated prior to the emergence of any of these novel species of the representational mode . Thus , to define a particular form of ...
... definition of this mode of painting , and there is no reason why such a definition could not have been formulated prior to the emergence of any of these novel species of the representational mode . Thus , to define a particular form of ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision