A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 47
Pagina 399
... describe the aesthetic way of looking at things . Internal and External Relations A somewhat less misleading way of describing the aesthetic experience is in terms of internal versus external relations . When we are viewing a work of ...
... describe the aesthetic way of looking at things . Internal and External Relations A somewhat less misleading way of describing the aesthetic experience is in terms of internal versus external relations . When we are viewing a work of ...
Pagina 516
... describe the conditions under which we employ the concept correctly . Definition , reconstruction , patterns of analy- sis are out of place here since they distort and add nothing to our under- standing of art . What , then , is the ...
... describe the conditions under which we employ the concept correctly . Definition , reconstruction , patterns of analy- sis are out of place here since they distort and add nothing to our under- standing of art . What , then , is the ...
Pagina 517
... describe X as a work of art if X were not an artifact , or a collection of elements sensuously presented in a medium , or a product of human skill , and so on . If none of the conditions were present , if there were no criteria present ...
... describe X as a work of art if X were not an artifact , or a collection of elements sensuously presented in a medium , or a product of human skill , and so on . If none of the conditions were present , if there were no criteria present ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision