Dall'interno del libro
Risultati 1-3 di 32
Pagina 9
Not the peculiar and private "feel" of things but the observable fact, not the
appreciation but the description, give outer truth, and hence a communicable
content. According to Royce, the world of description is, in a sense, real but
superficial.
Not the peculiar and private "feel" of things but the observable fact, not the
appreciation but the description, give outer truth, and hence a communicable
content. According to Royce, the world of description is, in a sense, real but
superficial.
Pagina 338
Language of Feelings" Mr. Huw Morris-Jones wrote: "The connexion between a
work of art and feeling must be described in such a way that one can locate the
feeling in the work of art itself, in such a way that one can legitimately talk of ...
Language of Feelings" Mr. Huw Morris-Jones wrote: "The connexion between a
work of art and feeling must be described in such a way that one can locate the
feeling in the work of art itself, in such a way that one can legitimately talk of ...
Pagina 522
... passages involve aspects of games which would be included in a description
of how a particular game is to be played; ... the "anything" is taken to represent
precisely the sort of manifest feature that is described in rule-books, such as
Hoyle.
... passages involve aspects of games which would be included in a description
of how a particular game is to be played; ... the "anything" is taken to represent
precisely the sort of manifest feature that is described in rule-books, such as
Hoyle.
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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