A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 114
... desires . Compared with Homer , Archilochus appalls us by his cries of hatred and scorn , by his drunken outbursts of desire . Therefore is not he , who has been called the first subjective artist , essentially the non - artist ? But ...
... desires . Compared with Homer , Archilochus appalls us by his cries of hatred and scorn , by his drunken outbursts of desire . Therefore is not he , who has been called the first subjective artist , essentially the non - artist ? But ...
Pagina 116
... desire ( joy ) , but still oftener as an inhibited desire ( grief ) , always as an affect , a passion , a moved state of mind . Besides this , however , and along with it , by the sight of surrounding nature , the singer becomes ...
... desire ( joy ) , but still oftener as an inhibited desire ( grief ) , always as an affect , a passion , a moved state of mind . Besides this , however , and along with it , by the sight of surrounding nature , the singer becomes ...
Pagina 258
... desire . Art is expres- sion , a language , but what it expresses is a dream . Now what I hope to show is that aesthetic form is precisely the form which a thing should have if it is to be in fact the imaginative satisfaction of desire ...
... desire . Art is expres- sion , a language , but what it expresses is a dream . Now what I hope to show is that aesthetic form is precisely the form which a thing should have if it is to be in fact the imaginative satisfaction of desire ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision