Dall'interno del libro
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Pagina 114
Compared with Homer, Archilochus appalls us by his cries of hatred and scorn,
by his drunken outbursts of desire. Therefore is not he, who has been called the
first subjective artist, essentially the non-artist? But, in this case, how explain the ...
Compared with Homer, Archilochus appalls us by his cries of hatred and scorn,
by his drunken outbursts of desire. Therefore is not he, who has been called the
first subjective artist, essentially the non-artist? But, in this case, how explain the ...
Pagina 116
295): "It is the subject of the will, i.e., his own volition, which fills the
consciousness of the singer, often as a released and satisfied desire (joy), but
still oftener as an inhibited desire (grief), always as an affect, a passion, a moved
state of mind.
295): "It is the subject of the will, i.e., his own volition, which fills the
consciousness of the singer, often as a released and satisfied desire (joy), but
still oftener as an inhibited desire (grief), always as an affect, a passion, a moved
state of mind.
Pagina 258
Or to put the same thing in a different way, a work of art is a reconstruction of
sensuous reality into an image of desire. Art is expression, a language, but what
it expresses is a dream. Now what I hope to show is that aesthetic form is
precisely ...
Or to put the same thing in a different way, a work of art is a reconstruction of
sensuous reality into an image of desire. Art is expression, a language, but what
it expresses is a dream. Now what I hope to show is that aesthetic form is
precisely ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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