A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 59
... direct observation . The artist , on the other hand , is one whose imagination , impressionability - in a word , whose personality is so lively and excitable that it spontaneously transforms everything , dyeing them in its own colors ...
... direct observation . The artist , on the other hand , is one whose imagination , impressionability - in a word , whose personality is so lively and excitable that it spontaneously transforms everything , dyeing them in its own colors ...
Pagina 163
... direct perception . An artist , in comparison with his fellows , is one who is not only especially gifted in powers of execution but in unusual sensitivity to the qualities of things . This sensitivity also directs his doings and ...
... direct perception . An artist , in comparison with his fellows , is one who is not only especially gifted in powers of execution but in unusual sensitivity to the qualities of things . This sensitivity also directs his doings and ...
Pagina 482
... direct : ornament flourished in the utilities of life , flourished often per- versely and extravagantly , but one looks for it in vain among the machines pictured by Agricola or Besson or the Italian engineers2 : they are as direct and ...
... direct : ornament flourished in the utilities of life , flourished often per- versely and extravagantly , but one looks for it in vain among the machines pictured by Agricola or Besson or the Italian engineers2 : they are as direct and ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision